Diire Records

-Kent Fuselier, Executive Producer

" We haven't resigned a recording contract for any long-term projects for two years now. It's taken this long to secure the financing, properties, film locations, scripts, actors, and producers to turn our attention to film production full-time. That being said, we still remain one of the top A&R indie music licensing connections in the country. The industry has been pushing TV/Film placement for years now. The decline in Internet/album sales has left an enormous gap between selling music to consumers and selling it to visual projects."

The
ability for our
crew to replace a staff of
25 employees with a
single handheld camera is
quickly
turning into a do-or-die
situation for major
players in Hollywood.
We can film an
entire project on the
camera,
edit it, synch it, dub it, and add
VFX before it ever
really leaves the camera.We
transfer the finished
product to the Internet and
your local
theater signs up for it
hours before
opening night.
It's
really our generation's turn now.
Hollywood legends
cringe to think outside
the box of
35mm. They tell us the
quality will never
match - really, its just
sad for them to
watch someone film a movie
for under 20
million dollars -

They know who's next in line to take over....

www.promofm.com/theraynmen
www.myspace.com/theraynmen
www.broadjam.com/theraynmen

Our activity in movie and music production has been a regular feature on Taxi.com, the world's largest A&R publication, Variety, The New York Times, USA Today National Public Radio, and scores of local radio stations, television news broadcasts, and every medium inbetween, including TechCrunch BusinessWeek and even Governor Rick Perry's page, State Film Commission.

5.1 THX Upmixing to DVD from 35mm
StudioMaster analog, courtesy Diire Records

Picking our actress/singer Lisa Tran
is a snap in wonder woman's helicopter.

"Sing the Ice Cream Man and make this kid famous!"

from left to right, my editor Matthew Hubbard, actor Kent Jude Bernard and co-writer, Kent W. Fuselier

we deal with ghetto recording artists -
so you don't have to!®

Artwork for our Vietnamese horror production, 'Tet' the movie

FREE MUSIC 4 THE TROOPS FROM FACEBOOK!!!

-----"Ice Cream Man II"-----

still running over kids in my white van after all these years...

lead singer Dan Mcdougal / backup vocals Kent Fuselier

DAN MCDOUGALL - SPY HILL JAIL

DAN MCDOUGALL - BALLAD OF BILLY COY

"a respected treasure among parodies, this track has swept through nearly every junior high school football game in America. the Canadians now take a stab in 09' by adopting it into the Canadian Football League as well. not in recent history has a track with such little class touched so many lives." -THE CANADIAN INSIDER

Our A&R Managers, distribution contacts, major TV/Film production contacts, specialty equipment vendors, main recording studios, and some larger actors come from Los Angeles. That hasn't kept us from bringing Hollywood back to Texas through digital technology. We are filming without the need of special services or equipment at many times the resolution and quality ever possible on 35 mm. Hollywood is living on a dead dream filming bloated projects at costs up to twenty times what we can film better work for.

Our Executives were recently publically credited with putting East Texas on the map of Hollywood, as is seen in a recent article from Longview News Journal. We are the first in the industry to film with the 'Red' camera, the new standard that increases resolution capabilities to 16 times that of current HD, and allows the entire film to be edited while still tethered to the camera and sent to any digital movie theater.

There are actuallly a few additional folks talking about us here in Texas. For instance, Henderson, Carthage, Tyler, and Longview are just a few cities to run storys on our entertainment prospects here in Texas recently. Over the years, our producers and talent have been recognized on television, radio, and just about every major paper from Shreveport to Dallas to Houston and back.

"The rewards for myself and my crew in this industry have been personally unbelievable. I always thought it was recording music that I loved, but it turns out its really just the excitement of producing about anything in the entertainment industry. I've built relationships with my crew, my talent, and my investors with a bond as strong as steel. We keep all the benefits of this industry with none of the drawbacks. We are the tightest family I've ever personally known. "

"My crew, partners, and loved ones have pushed me over to film production as a mainstay and I'd like to take some time and give back that inspiration in the music industry that was instilled in me when I was starting out. We will keep the label and our studios alive for our own audio licensing needs and continue to serve indie film wherever it may take us. I've always believed Audio IP licensing was by far the most difficult, confusing, and expensive aspects of filming any project."

"With my experience at Diire Records recording, licensing, promoting, and protecting audio IP in films, television, and other formats, I was able to help build a film production company from the ground-up. I felt like I had over half the battle won before I ever got started."

Kent Fuselier - Executive Producer